THE JERICHO MOVEMENT PRESENTS Fade to Black: Political Prisoner Jalil Muntaqim Book Release & Fundraiser
WHEN: Thursday March 10th 2016, 7:00 p.m.-9:00 p.m.
WHERE: Social Justice Action Center,
400 SE 12th Portland Oregon
$5-10 sliding scale donation @ door!
All ages and open to the public!
Facebook: http://ift.tt/20U407f
Join us for another amazing political education/fundraising community event. The event will help to promote the recent book release of Jalil Muntaqim. Jalil is a Political Prisoner and Prisoner of War from the Black Liberation Movement. He organized with the Black Panther Party in the Bay area and was underground with the Black Liberation Army. He was captured when he was 19 in 1971 and has been locked up ever since. His parole reviews (over five) continues to be slandered by the Fraternal Order of Police.
Jalil has maintained his innocence and continues his legacy of activism, civic engagement, education and commitment to scholarship. He has written numerous position papers, blogs, poetry and books. This event will feature his most recent collection of essays and poetry and forwards by Walidah Imarisha and Ward Churchill.
Featuring local talent & activists:
- Blacque Butterfly
- Mic Crenshaw
- Walidah Imarisha
- Kent Ford
- Talilo Marfil
- Ibrahim Mubarek
- Chauncy Peltier
- Ahjamu Umi
Co-sponsored by Oregon Jericho, Portland Anarchist Black Cross, NW Alliance
for Alternative Media & Education, Right 2 Survive
To order your copy, visit leftwingbooks.net or AK Press or Amazon
Escaping the Prism is also available as an ebook from Amazon.
You can download a press sheet about Escaping the Prism here: escapeprism_press-sheet
For more information about Jalil: www.freejalil.com/
To learn about other political prisoners and prisoners of war held by the United States government: http://ift.tt/1qplrcx
What People Are Saying
Jalil Muntaqim’s prose and poetry analyze life within “America as prison.” Decades of sacrifice and resistance allow him to critique state oppression and social acquiescence. We are reminded here of democracy’s capacity for repression and terror through police, courts, and captivity; and the mystification and near disappearance of political prisoners who resisted such as Muntaqim, who writes that his name is spoken either as taboo or in reverence. Aided by Ward Churchill’s invaluable afterword, remember the historical and ongoing wars against dissent, and the brutal punishments activists risked in order to expand freedom. In the current debates about racism, legal duplicity and lethal violence, Escaping the Prism instructs that in our love for freedom, “let the spirit guide us.”
–Joy James, Seeking the ‘Beloved Community’When soldiers of a nation-state return home from war, they are thanked for their service. When they die in battle, they are honored posthumously. But there are no medals for an army of slaves. Escaping the Prism…Fade to Black is a stunning anthology of rare and tender love poems, unflinching struggle poems, and requiem poetry for a people whose personhood is denied. Muntaqim’s poems as well as the political vignettes and biographical sketches contained herein should be required reading for students who wonder why the world is on tilt. For forty-three years as a prisoner of war (nearly twice as long as Mandela who was released after 27 years), BLA soldier Jalil Muntaqim has nurtured us with his pedagogy and his poetry. Thank you for your service.
–Frank B. Wilderson III, author of Incognegro: A Memoir of Exile and ApartheidIn his powerful new book of poetry, Jalil Muntaqim writes, “my poetry is my life.” He also writes, “My poetry has a chip on its shoulder,” as well it might given the decades he has spent living in the state’s cages. Yet despite his lifelong sacrifice as a political prisoner and prisoner of war, this book is proof that Jalil’s deepest thoughts are rich and his commitment to liberation remains as strong as ever. The poems in Escaping the Prism… Fade to Black reveal Jalil’s deep determination and love, and will no doubt serve as a source of inspiration for us all.
–Claude Marks, Director of the Freedom Archives and former political prisonerJalil Muntaqim is known for his letters and petitions and essays. Now, for the first time, we have a collection of his poetry. The poems are analytical and tender, inspiring and angering, nostalgic and sobering. In Escaping the Prism Jalil meditates on life, love, struggle, music, and everything else that prisons contain but fail to crush.
–Dan Berger, author of Captive Nation: Black Prison Organizing in the Civil Rights EraAnother consciousness-raising magnificently written book from New Afrikan prisoner of war Jalil Muntaqim, a man i’m proud and honored to know as a comrad and brother. The preface by sista Walidah Imarisha sets the tone with her poignant insights and clear flow, hinting at the depths to come. Then, like a building storm about to break, Jalil starts the rain of poetic words connected in combinations that put today’s so-called best rappers to shame. Bending, twisting, and redefining the colonial language in paradoxical and often mindbogglng ways that demand our total attention and a rewind of our reading in order to digest the reality of what’s written. Never have i had the pleasure of being so educated by such dynamic prose and poetry as presented here. And yet there’s more, for Jalil then infuses blogs of essays written about each contemporary malady arresting the development of our struggle for freedom, and does so as deftly as a skilled surgeon performing a total organ transplant. “Hands Up, Dont Shoot? Hell no! Fist up, fight back!” Jalil shouts from his prison cell in Attica, reminding us that an unarmed movement is a dead movement. And yet he’s not preaching, but even if he was i would listen, because he is in a position to know where the traps and landmines are buried, for he is a beloved combatant of our Black Liberation Army. As if Walidah Imarisha’s introduction to Jalil’s poetry and essays weren’t enough, Escaping the Prism is closed out by the revolutionary scholar Ward Churchill of the American Indian Movement. A cold combination of jab, overhand left, and a knockout uppercut. Ward Churchill’s footnotes alone raise consciousness, his historical knowledge of the long sixties that instruct us in ways few other comrades can. i am personally grateful to comrad brotha Jalil for his life and example. Let’s get him, and in the process ourselves, free!
—Sanyika Shakur, August 3rd Communist Organization
on the main Kersplebedeb website: http://ift.tt/1Qfx1Ph
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